Everything and the kitchen sink

Writing can be such a balancing act.

I make no excuses: I’m a pantser not a plotter, the kind of writer who learns about the story as she goes. I may have some structure, such as knowing scenes or events that will come later in the story, but for the most part I don’t plan things out beyond the next scene. Not having an end game in mind right off the bat, of course, leaves me open to the possibility of meandering storytelling, or of putting too much in that would need to be taken out later.

One of the toughest parts (IMO) about writing is knowing what path you want your story to go down. For example, is it a revenge tale? A beach romance? A shoot-em-up action thriller? There are certainly stories out there that incorporate elements of all three of these things, but at some point something has to give. You can’t, for example, have werewolves and vampires attacking your heroine in a contemporary tale (unless it’s urban fantasy). Having space aliens show up in your sheikh desert romance might be…confusing to some readers unless you’ve set it up earlier that the story has scifi elements. Some surprise is good, keeps the conflict up, but there’s a tightrope to walk if you want to keep it believable.

For AHW, I kept my story tightly plotted, but because sequels up the ante I wanted to think outside the box. My resulting idea had the story including everything and the kitchen sink, so many ideas rolled into one book. That wouldn’t do – fun to plan, but when I looked at the logistics, it was a nightmare. So I backtracked, removing all the aliens and werewolves and vampires from my story plan (just kidding, but it may as well have been!) and tried to figure out a theme. What I want my heroine to learn. What I wanted my heroes (!!) to go through. Redemption? Revenge? I needed to figure out my motivations, or how their pasts affected their near-future (aka, the book’s plot line).

What did I come up with? Well, like I said, I’m not much of a plotter, but I do like having the bare bones sketched out so I don’t write myself into a corner. For years I couldn’t finish anything because I’d get to a certain point, then hit The Wall (other writers know what I’m talking about), and couldn’t bear to backtrack/delete words I’d written to go around it. By then anyway, another idea would beg to be written, so I’d leave the story promising to come back. Heh, yeah, that didn’t happen. *sigh*

The thing I’ve found, the more words I put down on paper, is that there’s never an end to learning. If it’s not learning your craft, then it’s learning how YOU craft. Every writer is different; I know folks who cringe when I tell them I don’t have a detailed outline for my entire series, down to hair/eye color and what shaving gel they used. Then again, the idea of writing from a detailed synopsis has my eyes crossing from boredom – I mean, the story is already written, why am I writing it again? Learn how you do things, and unabashedly DO THEM. Don’t let others dictate what works for you; listen, maybe try adopting new ideas into your pattern, but don’t be afraid to discard them if they’re not for you. Write your story as you see fit. FINISH your story. Then you can start thinking about how to incorporate all those fabulous ideas you came up with into your next book.

Oh, and leave the sink at home.😉

4 thoughts on “Everything and the kitchen sink

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